n.
Russian movement in art and architecture, initiated in 1914 by the abstract geometric constructions of Vladimir Tatlin .
In 1920 Tatlin was joined by Antoine Pevsner and Naum Gabo . Their "Realist Manifesto," which directed their followers to "construct art," gave the movement its name. The group, soon joined by Aleksandr Rodchenko and El Lissitzky , produced abstract works reflecting modern machinery and technology, using plastic, glass, and other industrial materials. Applying the same principles to architecture, they spread the movement's ideals throughout Europe and to the U.S. after Soviet opposition dispersed the group. See also Bauhaus ; De Stijl .