CAMPIN, ROBERT

born c. 1378, Tournai, Fr. died April 26, 1444, Tournai The Annunciation, oil on wood panel by Robert Campin; in the Muses Royaux des one of the earliest and greatest masters of Flemish painting. He has been identified with the Master of Flmalle on stylistic and other grounds. Characterized by a naturalistic conception of form and a poetic representation of the objects of daily life, Campin's work marks the break with the prevailing International Gothic style and prefigures the achievements of Jan van Eyck and the painters of the Northern Renaissance. Documents show that Campin was established as a master painter in Tournai in 1406. Two pupils are mentioned as entering his studio in 1427Rogelet de la Pasture (generally identified with the great Rogier van der Weyden) and Jacques Daret. The only documented work by Jacques Daret, an altarpiece executed for the Abbey of St. Vaast near Arras, shows close stylistic analogies with works by Rogier van der Weyden on one hand and works earlier in style by the Master of Flmalle on the other. Both seem to proceed from common models, for they obviously are not copies of one another. As the Tournai records give the name of Campin as master of both Daret and Rogier, it has been generally assumed that the Master of Flmalle may be reasonably identified with Campin. Some scholars, however, have stylistically considered the works ascribed to the Master of Flmalle as early works by Rogier himself. Campin's art is indebted to that of manuscript illumination, but his work displays greater powers of observation and ability to render plastic forms than is found in contemporary manuscript illumination. One of his masterpieces is the Mrode Altarpiece (c. 1428), a triptych of the Annunciation with the donors and St. Joseph on the wings (The Cloisters, New York City). The Virgin is portrayed in a setting of bourgeois realism in which interior furnishings are rendered with the frank and loving attention to detail that was to become a characteristic tradition of Flemish art. Another important work, at the Stdelsches Kunstinstitut in Frankfurt am Main, consists of two wings of an altarpiece dating c. 1440 that are said to have come from the Abbey of Flmalle. They depict the Virgin and Child and St. Veronica (with Trinity on the reverse). Among other works generally ascribed to Campin are the Virgin and Child Before a Firescreen and a double portrait at the National Gallery, London, a Nativity at Dijon (dated c. 1430), and the Werl Altarpiece (1438) in the Prado, Madrid.