MERRITT, ANNA LEA


Meaning of MERRITT, ANNA LEA in English

born Sept. 13, 1844, Philadelphia, Pa., U.S. died April 7, 1930, Hurstbourne Tarrant, Dorset [now in Hampshire], Eng. ne Anna Lea American artist whose skills as an etcher and painter found expression most often in portraiture and narrative subjects. Anna Lea displayed artistic talent from an early age. After studying with William H. Furness in Philadelphia for several years, she went to Europe, where she studied mainly in Dresden, Germany, and from 1871 in London. By the middle 1870s she was exhibiting paintings regularly at London's Royal Academy, and in 1876 her submission won a medal at the Centennial Exposition in Philadelphia. In 1877 she married her British teacher, Henry Merritt. Upon her marriage she gave up her career, but when her husband died just three months later she resumed it. She wrote a memoir of her husband and supplied 23 small etchings for Henry Merritt: Art Criticism and Romance (1879). Merritt's major works over the next decades include Taming the Bird, Camilla, and Love Locked Out, which in 1890 became the first work of a woman artist to be purchased for the National Gallery of British Art (known as the Tate Gallery). Merritt's Eve Overcome by Remorse and a mural decoration for the Woman's Building at the World's Columbian Exposition in Chicago (1893) both won medals. Merritt continued to exhibit at the Royal Academy until 1906. In 1902 she published A Hamlet in Old Hampshire, a portrait of Hurstbourne Tarrant, her home from 1890. Her later years were plagued by failing eyesight.

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