REDGRAVE, VANESSA


Meaning of REDGRAVE, VANESSA in English

born January 30, 1937, London, Eng. strong, willowy British actress of stage and screen and longtime political activist. Called the greatest actress of our time by the playwright Tennessee Williams, Vanessa Redgrave came from a legendary theatrical family. Her father, Sir Michael Redgrave, was one of Britain's most popular and respected actors, and her mother, Rachel Kempson, was a noted stage actress. Her sister, Lynn, did both stage and film workmost notably in Georgy Girl (1966) and Shine (1996)and her brother, Corin, was a successful stage director and actor. Redgrave is also the mother of actresses Natasha and Joely Richardson from her marriage in the 1960s to director Tony Richardson. Redgrave made her professional debut in the play A Touch of the Sun (1957), in which she costarred with her father. She appeared in her first film, Behind the Mask, in 1958 but concentrated mostly on stage work throughout the late '50s and early '60s and was a member of the Royal Shakespeare Theatre in Stratford-upon-Avon during the 195960 season. Her film career began in earnest in 1966; within the space of two years, she appeared in four films that established her reputation as an intelligent actress with a commanding presence. The first of her six Oscar nominations was for Morgan! (1966), her first motion picture in eight years. She then had a role in Michelangelo Antonioni's Blow-Up (1966), a psychological mystery that became a cult favourite. Redgrave's unbilled cameo as Anne Boleyn in A Man for All Seasons (1966) and her performance as Guinevere in Camelot (1967) further secured her status as one of the most popular and respected actresses of the era. In the late 1960s and early '70s Redgrave showed her mastery of both classical and commercial fare. She received an Oscar nomination for her portrayal of dancer Isadora Duncan in Isadora (1968), and she appeared as Nina in Sidney Lumet's adaptation of Anton Chekhov's The Sea Gull (1968). In 1971 Redgrave took on the role of Andromache in The Trojan Women and received another Oscar nomination for her work as the title character in Mary, Queen of Scots, playing opposite Glenda Jackson's Queen Elizabeth I. Redgrave also appeared in such popular mainstream vehicles as Murder on the Orient Express (1974) and The Seven-Per-Cent Solution (1976), and she won an Oscar for best supporting actress for her performance in Julia (1977). During the following two decades, Redgrave eschewed popular fare in favour of smaller films with well-written scripts or classical overtones. Her controversial performance as a Nazi concentration camp victim in the television adaptation of Arthur Miller's Playing for Time (1980) won her an Emmy, though, as a longtime supporter of the Palestine Liberation Organization, she was widely criticized for accepting the role. She received her fifth Oscar nomination for her role in the film adaptation of Henry James's The Bostonians (1984). Other notable performances include a literary agent in Prick Up Your Ears (1987), Lady Alice More in the television remake of A Man for All Seasons (1988), Lady Torrance in the TV production of Tennessee Williams's Orpheus Descending (1990), and Blanche Hudson in What Ever Happened to Baby Jane? (1991), a television remake of the Bette DavisJoan Crawford camp shocker in which Redgrave costarred with her sister, Lynn. She received a sixth Oscar nomination for her work in Howards End (1992). Redgrave is nearly as well known for her outspoken and controversial political activism as she is for her acting. In addition to supporting the PLO and the Irish Republican Army, she ran unsuccessfully for Parliament as a candidate for the Workers' Revolutionary Party. She produced a number of documentaries that reflect her convictions, including The Fifth War (1978), Occupied Palestine (1980), Can't They Put Humans First (1991), which she also directed, and Wake Up, World (1993). Her political activities have not been without repercussions: she was loudly booed at the 1978 Academy Awards ceremonies when she voiced her support of Palestinian causes during her acceptance speech for Julia, and Jewish organizations protested that she was cast as Holocaust survivor Fania Fenelon in Playing for Time. There is little doubt that Redgrave's political views have affected her career, although public resentment waned in the 1990s, when she played character roles in such popular films as Mission: Impossible (1996), Deep Impact (1998), and Woody Allen's Celebrity (1998).

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