RIMA

(Icelandic: rhyme,) plural rmur versified sagas, or episodes from the sagas, a form of adaptation that was popular in Iceland from the 15th century. One of three genres of popular early Icelandic poetry (the other two being dances and ballads), rmur were produced from the 14th to the 19th century. They combine an end-rhymed metrical form derived from Latin hymns with the techniques of syllable counting, alliteration, and internal rhyme used by the earlier Norse court poets, the skalds. Rmur also preserve the elaborate diction of skaldic poetry but in a stereotyped fashion, as though the original meaning of complex epithets had been lost. Most rmur are long narratives based on native tradition or foreign romances. Often a long prose saga was converted into a rmur cycle. Either the first rma or all the rmur were prefaced by a mansngr. (The mansngr was originally a courtly love poem, but later it became more generalized, sometimes appearing as a dedication to a patron or a comment on the story.) Though not high in literary quality, rmur are important for having preserved the skaldic diction and the content of lost sagas.