Large-scale musical composition on a sacred subject for solo voices, chorus, and orchestra.
The term derives from the oratories, community prayer halls set up by Counter-Reformation attempt to provide locales for religious edification outside the church itself, and the oratorio remained a nonliturgical (and non-Latin) form for moral musical entertainment. The first oratorio, really a religious opera , was written in 1600 by Emilio del Cavaliere, and the oratorio's development closely followed that of opera. Giacomo Carissimi produced an important body of Italian oratorios, and Marc-Antoine Charpentier transferred the oratorio to France in the later 17th century. In Germany the works of Heinrich Schütz anticipate the oratorio-like Passion s of {{link=Bach, Johann Sebastian">Johann Sebastian Bach . The most celebrated oratorio composer was George Frideric Handel ; his great English works include the incomparable Messiah (1742). Handel inspired Franz Joseph Haydn 's great Creation (1798) and exerted great influence on the 19th-century oratorio, whose composers include Hector Berlioz , Felix Mendelssohn , and Franz Liszt . Though the oratorio thereafter declined, 20th-century oratorio composers included Edward Elgar , Igor Stravinsky , Arthur Honegger , and Krzysztof Penderecki .