KAZAN, ELIA

born Sept. 7, 1909, Constantinople, Ottoman Empire [now Istanbul, Turkey] original name Elia Kazanjoglous American director and author, noted for his successes on the stage, especially with plays by Tennessee Williams and Arthur Miller, and for his critically acclaimed films. At the age of four, Kazan was brought to the United States with his immigrant Greek family. He attended Williams College, Williamstown, Mass., and years later he wrote that the lonesome, unhappy years there provoked in him a deep antagonism toward privilege. He attended the Drama School at Yale University, and from 1932 to 1939 he was an actor with the Group Theatre in New York City led by Lee Strasberg and Harold Clurman. Kazan directed his first play in New York City in 1934. He won national notice as a Broadway director with such plays as Thornton Wilder's The Skin of Our Teeth (1942); Arthur Miller's All My Sons (1947) and Death of a Salesman (1949); and Tennessee Williams' A Streetcar Named Desire (1949), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959). Kazan was cofounder (with Robert Lewis and Cheryl Crawford) of the Actors Studio in 1947. In 1944 he began to direct motion pictures. His films, many of which incorporate liberal or socially critical themes, include A Tree Grows in Brooklyn (1945), Gentlemen's Agreement (1947), on anti-Semitism, and Pinky (1949), on racism. His classic films A Streetcar Named Desire (1951), Viva Zapata! (1952), and On the Waterfront (1954) all starred Marlon Brando. Both Gentlemen's Agreement and On the Waterfront won him Academy Awards. Other films included East of Eden (1955), starring James Dean, Baby Doll (1956), and Splendour in the Grass (1960). Kazan was also codirector of the Repertory Theatre of Lincoln Center in New York City from 1960 to 1964. The film America, America (1964) was adapted from his own autobiographical novel of 1962. He also wrote The Arrangement (1967; film, 1969), about the experiences of a Greek immigrant to the United States, The Assassins (1972), and The Understudy (1974). His autobiography, Elia Kazan: A Life, was published in 1988. In it, among other things, he defended his decision to comply with the House Committee on Un-American Activities' request in 1952 that he give the names of other Group Theatre members who had been secret members of the Communist Party.