KEGON

( (Japanese: Flower Ornament), ) Chinese Hua-yen, Buddhist philosophical tradition introduced into Japan from China during the Nara period (710784). Although the Kegon school can no longer be considered an active faith teaching a separate doctrine, it continues to administer the famous Todai Temple monastery at Nara. The name Kegon is a translation of the Sanskrit avatamsaka (garland, or wreath), after the school's chief text, the Avatamsaka-sutra. This text, preserved in both Tibetan and Chinese versions, deals with the buddha Vairocana (Japanese: Birushana, or Roshana). The Kegon school held as its ideal the recognition of a harmonious whole of all beings, all interrelated and interdependent, with the buddha Vairocana at the centre, permeating everything. It believed that no element has a separate and independent existence apart from the whole but rather that each reflects all the others. According to it, the universe is self-creating. The school was founded in China in the late 6th7th century by Fa-shun (also called Tu-shun) and further systematized in the 7th8th century by Fa-tsang. It continued in China until the 10th century, after which it began to decline. The doctrine first reached Japan about 740, carried by two of Fa-tsang's pupils, Chen-hsiang (Japanese: Shinsho) and Tao-hsan (Japanese: Dosen), and by a southern Indian, Bodhisena. The totalistic principle of the Kegon school caught the attention of the reigning Japanese emperor, Shomu, who considered it a possible approach to governing his people. Shomu is credited with founding the great monastery of Todai Temple, an honour shared by the Indian priest Bodhisena, the Japanese saint Gyoki (Gyogi), and the abbot of the monastery, Roben. In 752 the emperor Shomu dedicated the Daibutsu, the colossal bronze image of Vairocana at Todai Temple, and many of the ritual objects used in the consecration ceremony are still preserved in the monastery treasury, the Shoso-in.