LEAUD, JEAN-PIERRE

born May 5, 1944, Paris French screen actor who played leading roles in some of the most important French New Wave films of the 1960s and '70s, particularly ones by Franois Truffaut. The son of a scriptwriter and an actress, Laud at age 14 was chosen to play the misunderstood adolescent Antoine Doinel in Franois Truffaut's first feature-length film, Les Quatre Cents Coups (1959; The 400 Blows). Laud appeared in four more Truffaut films which traced Doinel's progress through physical maturity, courtship, marriage, fatherhood, and finally divorce: these films are L'Amour vingt ans (1962; Love at Twenty), Baisers vols (1968; Stolen Kisses), Domicile conjugale (1970; Bed and Board), and L'Amour en fuite (1979; Love on the Run). Laud was perfectly suited to play the part of Doinel, an engaging and innocent young man who is not particularly well-equipped to meet the responsibilities of adult life. Laud appeared in several other films by Truffaut, including Les Deux Anglaises et le continent (1971; Two English Girls; Anne and Muriel), and La Nuit amricaine (1973; Day for Night). Laud played roles in several of Jean-Luc Godard's most important films: Masculin-Fminin (1966; Masculine Feminine), La Chinoise (1967), and Le Week-End (1967; Weekend). He also played parts in films by Jerzy Skolimowski and Bernardo Bertolucci, appearing in the latter's Last Tango in Paris (1972). An actor of limited range, Laud nevertheless endowed the role of a scatter-brained young man with both emotional intensity and a wry underlying humour.