MAGIC REALISM

chiefly Latin-American narrative strategy that is characterized by the matter-of-fact inclusion of fantastic or mythical elements into seemingly realistic fiction. Although this strategy is known in the literature of many cultures in many ages, the term magic realism is a relatively recent designation, first applied in the 1940s by Cuban novelist Alejo Carpentier, who recognized this characteristic in much Latin-American literature. Some scholars have posited that magic realism is a natural outcome of postcolonial writing, which must make sense of at least two separate realitiesthe reality of the conquerors as well as that of the conquered. Prominent among the Latin-American magic realists are the Colombian Gabriel Garca Mrquez, the Brazilian Jorge Amado, the Argentines Jorge Luis Borges and Julio Cortazar, and the Chilean Isabel Allende.