MARTIN, STEVE

born August 14, 1945, Waco, Texas, U.S. American comedian, writer, and producer who began his career as a standup comic and eventually achieved success in motion pictures, television, Broadway, and literature. Martin attended State College in Long Beach, California. His interest in performing was honed during this period as he worked as a musician and magician at Disneyland and debuted his comedy-and-banjo-playing act in local nightclubs. He soon transferred to the University of California at Los Angeles, where he majored in theatre. In 1967, while still a student, he accepted a contract to write for the hit television show The Smothers Brothers Comedy Hour, for which he won an Emmy Award in 1969. Within a few years, he was writing for The Sonny and Cher Comedy Hour and other top variety shows of the era. Martin acquired a modest but loyal following during the early 1970s as he performed his standup routine on numerous television shows, particularly The Tonight Show Starring Johnny Carson. His breakthrough came in 1976 when he hosted an episode of NBC's Saturday Night Live, the first of more than 25 appearances on the show throughout the years. Within months, Martin was the top comic in the United States and was drawing standing-room-only crowds to some of the country's largest performing venues. His exclamations Well, excuuuuse me! and I am a wild and crazy guy! became national catchphrases. It was also during this period that Martin had success as a recording artist: his Let's Get Small (1977) and A Wild and Crazy Guy (1978) comedy albums earned Grammy Awards, and his hit single King Tut (1978) sold more than a million copies. Martin wrote and starred in his debut film, the Oscar-nominated short subject The Absent-Minded Waiter, in 1977. This led to an extended collaboration with writer-director-actor Carl Reiner on the hit comedies The Jerk (1979), Dead Men Don't Wear Plaid (1982), The Man with Two Brains (1983), and All of Me (1984). These films established Martin as a movie star of the first rank, and he subsequently retired from standup comedy. He demonstrated his willingness to take chances with critically praised limited-audience fare such as Pennies from Heaven (1981), The Lonely Guy (1984), L.A. Story (1991), and Leap of Faith (1992), and he maintained his popular appeal in such successful films as Little Shop of Horrors (1986), Roxanne (1987), Planes, Trains and Automobiles (1987), Dirty Rotten Scoundrels (1988), Parenthood (1989), Father of the Bride (1991), Father of the Bride, Part II (1995), and Bowfinger (1999). Martin's noteworthy writing endeavours of the 1990s include a play, Picasso at the Lapin Agile, which premiered at Chicago's Steppenwolf Theatre in 1993 and went on to win best play and best playwright honours from the New York Outer Critics Circle in 1996. He also wrote a series of well-received satiric articles for The New Yorker magazine, later published in the best-selling collection Pure Drivel (1998). In private life, Martin is an art connoisseur, and his personal collection includes art by Pablo Picasso, Georgia O'Keefe, Willem de Kooning, Edward Hopper, and Roy Lichtenstein. Additional reading Morris W. Walker, Steve Martin: The Magic Years (2000).