PROSE POEM

a work in prose that has some of the technical or literary qualities of a poem (such as regular rhythm, definitely patterned structure, or emotional or imaginative heightening) but that is set on a page as prose. The form was introduced into French literature by Louis Bertrand, with his Gaspard de la nuit (1842; Gaspard of the Night). His poetry attracted little interest at the time, but his influence on the Symbolists at the end of the century was acknowledged by Charles Baudelaire in his Petits pomes en prose (1869; Little Poems in Prose), later titled Le Spleen de Paris. It was this work that gave the form its name, and the Divagations (1897; Wanderings) of Stphane Mallarm and Illuminations (1886) of Arthur Rimbaud firmly established prose poetry in France. Other turn-of-the-century writers who composed prose poetry were Paul Valry, Paul Fort, and Paul Claudel. Prose poems were written in the early 19th century by the German poets Friedrich Hlderlin and Novalis, and at the end of the century by Rainer Maria Rilke. The 20th century saw a renewed interest in the form in such works as Pierre Reverdy's Pomes en prose (1915) and in the works of the French poet Saint-John Perse. Other notable practitioners of the form include Max Jacob, Franz Kafka, James Joyce, Gertrude Stein, Sherwood Anderson, Amy Lowell, Kenneth Patchen, Russell Edson, Charles Simic, Robert Bly, N. Scott Momaday, and Rosmarie Waldrop. Additional reading Stuart Friebert and David Young (eds.), Models of the Universe: An Anthology of the Prose Poem (1995); Michel Delville, The American Prose Poem: Poetic Form and the Boundaries of Genre (1998).