ANDERSON, LAURIE

born June 5, 1947, Wayne, Ill., U.S. American performance artist, composer, and writer whose work explores a remarkable range of media and subject matter. Anderson began studying classical violin at five years of age and later performed with the Chicago Youth Symphony. In 1966 she moved to New York City, where she attended Barnard College (B.A., 1969) and Columbia University (M.F.A., 1972). For two years she taught art history at the City University of New York. One of Anderson's early performance art pieces was Automotive (1972), for which she orchestrated car horns at the Town Green in Rochester, Vermont. In Duets on Ice, another early piece, Anderson wore ice skates frozen in blocks of ice; she then proceeded to play a duet with herself on an altered violin that she described as like a ventriloquist's dummyshe replaced the bow hair with prerecorded audiotape and the string with a tape head. The piece ended as soon as the ice melted. To support her work in performance art, Anderson worked as a freelance interviewer and art critic for ARTnews and Artforum. By 1974 she had received several grants that gave her more freedom to pursue her artistic explorations. She came to rely on a driving rock beat as a backdrop to many of her word-oriented pieces; this led to a musical single, It's Not the Bullet That Kills YouIt's the Hole (1977). Another song, the eight-minute O Superman (1981), reached the number two spot on England's pop charts. She released the recordings You're the Guy I Want to Share My Money With (1981), Big Science (1982), and Mister Heartbreak (1984) before producing a massive four-part multimedia extravaganza, United States IIV. It combined music, photography, film, drawings, and animation with text and consisted of 78 segments organized into four sections: Transportation, Politics, Money, and Love. First performed at the Brooklyn Academy of Music in 1983, it ran for more than six hours and employed more than 1,200 photos, cartoons, and films. She used some of the same material again in writing, directing, and performing in the film Home of the Brave (1986). Anderson collaborated on Set and Reset (1983) with visual artist Robert Rauschenberg and choreographer Trisha Brown, whose dance company premiered the piece. Anderson's later recordings include Strange Angels (1989), Bright Red (1994), and The Ugly One with the Jewels and Other Stories (1995). She also crafted, with designer Hsin-Chien Huang, the highly complex, interactive CD-ROM Puppet Motel (1995). The stage version of Stories from the Nerve Bible (1993) combines music, comedy, illusion, dance, film, songs, and a simulated tornado. A print version with the subtitle A Retrospective, 19721992 was published in 1994. That same year she began collaborating with rock musicians Brian Eno and Peter Gabriel on an experience park, a project to develop new forms of interactive experience.