HOLLIES, THE

five-piece rock group from Manchester, England, that enjoyed many hits in the 1960s both before and after losing singer-guitarist Graham Nash to a more celebrated partnership with David Crosby, Stephen Stills, and Neil Young. The principal members were Allan Clarke (b. April 15, 1942, Salford, Lancashire, England), Graham Nash (b. February 2, 1942, Blackpool, Lancashire), Tony Hicks (b. December 16, 1943, Nelson, Lancashire), Eric Haydock (b. February 3, 1943, Burnley, Lancashire), Bernie Calvert (b. September 16, 1943, Burnley), and Terry Sylvester (b. January 8, 1947, Liverpool, Merseyside). Like most of their contemporaries in the British beat boom, the Hollies found their earliest influences in American rhythm-and-blues artists. Their first hits in the United Kingdom, in 196364, were with cover versions of the Coasters' (Ain't That) Just Like Me and Searchin', Maurice Williams and the Zodiacs' Stay, and Doris Troy's Just One Look. Under the influence of Bob Dylan, however, their approach broadened, including diluted elements of folk music, to the particular benefit of Clarke. A strong lead singer, he received fine support from the harmony singing of Hicks, Nash, and, after the latter's departure in 1968, Sylvester on Here I Go Again (1964), I'm Alive (1965), Bus Stop (1966, their first entry into the American Top Ten), and He Ain't Heavy, He's My Brother (1969). At their best the Hollies established a clear balance between the various components at play in their music, developing (like their Liverpool contemporaries the Searchers) a style that provided a useful template for a new generation of power pop groups, many of them American, such as the Raspberries and the Rubinoos. Unlike most groups of their vintage, the Hollies had the greatest successes in the 1970s, with Long Cool Woman (in a Black Dress) (1972) and The Air That I Breathe (1974). Richard Williams