MORISOT, BERTHE

born Jan. 14, 1841, Bourges, Fr. died March 2, 1895, Paris The Cradle, oil painting by Berthe Morisot, 1873; in the Muse d'Orsay, Paris French painter and printmaker who exhibited regularly with the Impressionists and, despite the protests of friends and family, continued to participate in their struggle for recognition. The daughter of a high government official (and a granddaughter of the important Rococo painter Jean-Honor Fragonard), Morisot decided early to be an artist and pursued her goal with seriousness and dedication. From 1862 to 1868 she worked under the guidance of Camille Corot. She first exhibited paintings at the Salon in 1864. Her work was exhibited there regularly through 1874, when she vowed never to show her paintings in the officially sanctioned forum again. In 1868 she met douard Manet, who was to exert a tremendous influence over her work. He did several portraits of her (e.g., Repose, c. 1870). Manet had a liberating effect on her work, and she in turn aroused his interest in outdoor painting. Morisot's work never lost its Manet-like qualityan insistence on designnor did she become as involved in colour-optical experimentation as her fellow Impressionists. Her paintings frequently included members of her family, particularly her sister, Edma (e.g., The Artist's Sister, Mme Pontillon, Seated on the Grass, 1873; and The Artist's Sister Edma and Their Mother, 1870). Delicate and subtle, exquisite in colouroften with a subdued emerald glowthey won her the admiration of her Impressionist colleagues. Like that of the other Impressionists, her work was ridiculed by many critics. Never commercially successful during her lifetime, she nevertheless outsold Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. She was a woman of great culture and charm and counted among her close friends Stphane Mallarm, Edgar Degas, Charles Baudelaire, mile Zola, Emmanuel Chabrier, Renoir, and Monet. She married douard Manet's younger brother Eugne.