VARDA, AGNS

born May 30, 1928, Brussels French still photographer and one of the few successful female motion-picture directors. Her first film, Le Pointe courte (1954), was a precursor of the French New Wave films of the 1960s. Varda became a student at the Sorbonne and the cole du Louvre and became a still photographer. As the official photographer of the Thatre National Populaire from 1951 to 1961, she discovered an interest in both theatre and film. Varda's first film, Le Pointe courte, proved her to be an original artist. Varda's second feature, Cleo de cinq sept (1961; Cleo from 5 to 7), an introspective and intellectual film, displays the influence of the New Wave. It is an intimate account of a pop singer who sees the world around her with a new vision while she waits for the results of a medical examination that will tell her if she is suffering from a terminal illness. In 1964, Varda directed Le Bonheur (Happiness), an abstract picture of happiness that was to be her most controversial film. Les Creatures was released in 1966, and her most popular films of the next two decades were L'Une chante l'autre pas (1976; One Sings, the Other Doesn't) and Sans toit ni loi (1985; Without Roof or Law, or Vagabond).