HUYSMANS, JORIS-KARL

born Feb. 5, 1848, Paris, Fr. died May 12, 1907, Paris original name Charles-marie-georges Huysmans French writer whose major novels epitomize successive phases of the aesthetic, spiritual, and intellectual life of late-19th-century France. The only son of a French mother and a Dutch father, Huysmans at 20 began a long career in the Ministry of the Interior, writing many of his novels on official time (and notepaper). His early work, influenced by contemporary naturalistic novelists, include a novel, Marthe, histoire d'une fille (1876; Marthe), about his liaison with a soubrette, and a novella, Sac au dos (1880; Pack on Back), based on his experience in the Franco-German War. The latter was published in Les Soires de Mdan (1881), war stories written by members of mile Zola's Mdan group of naturalistic writers. Huysmans soon broke with the group, however, publishing a series of novels too individual in content and violent in style to be classed as naturalistic literature. The first was vau-l'eau (1882; Down Stream), a tragicomic account of the misfortunes, largely sexual, of a humble civil servant, Folantin. rebours (1884; Against the Grain), Huysmans' best-known novel, relates the experiments in aesthetic decadence undertaken by the bored survivor of a noble line. The ambitious and controversial L-bas (1891; Down There) tells of the occultist revival that occurred in France in the 1880s. A tale of 19th-century satanists interwoven with a life of the medieval satanist Gilles de Rais, the book introduced what was clearly an autobiographical protagonist, Durtal, who reappeared in Huysmans' last three novels: En route (1895), an account of Huysmans-Durtal's religious retreat in the Trappist monastery of Notre-Dame d'Igny and his return to Roman Catholicism; La Cathdrale (1898; The Cathedral), basically a study of Ntre-Dame de Chartres with a thin story attached; and L'Oblat (1903; The Oblate), set in the Benedictine abbey of Ligug, near Poitiers, in the neighbourhood in which Huysmans lived in 18991901 as an oblate (lay monk). The chief fascination of Huysmans' work lies in its autobiographical content. Together his novels tell the story of a protracted spiritual odyssey. In each the hero tries to find happiness in some kind of spiritual and physical escapism; each ends on a note of disappointment and revolt until, in L'Oblat, Huysmans and his hero acknowledge that escapism is not only futile but wrong. Huysmans exemplified his hard-won belief in the value of suffering in his courageous bearing during the months of pain that preceded his death from cancer. Also a perceptive art critic, Huysmans helped win public recognition of the Impressionist painters (L'Art moderne, 1883; Certains, 1889). He was the first president of the Goncourt Academy, which annually awards a prestigious French literary prize. Additional reading Robert Baldick, The Life of J.K. Huysmans (1955); James Laver, The First Decadent: Being the Strange Life of J.K. Huysmans (1954); George Ross Ridge, Joris-Karl Huysmans (1968).