BERIO, LUCIANO

born Oct. 24, 1925, Oneglia, Italy Italian musician whose success as theorist, conductor, composer, and teacher placed him among the leading representatives of the musical avant-garde. His style is notable for combining lyric and expressive musical qualities with the most advanced techniques of electronic and aleatoric music. Berio studied composing and conducting at the Conservatorio Giuseppe Verdi in Milan, and in 1952 he received a Koussevitzky Foundation scholarship at Tanglewood, Mass., where he studied under the influential composer Luigi Dallapiccola. With another leading Italian composer, Bruno Maderna, he founded (1954) the Studio di Fonologia Musicale at Milan Radio. Under Berio's direction until 1959, it became one of the leading electronic music studios in Europe. There he attacked the problem of reconciling electronic music with musique concrte (i.e., composition using as raw material recorded sounds such as storms or street noises rather than laboratory-created sounds). Berio and Maderna also founded the journal Incontri Musicali (195660; Musical Encounters), a review of avant-garde music. In all his work Berio's logical and clear constructions are considered highly imaginative and poetic, drawing elements of style from such composers as Igor Stravinsky and Anton Webern. Serenata I (1957), his last major serial piece, was dedicated to Pierre Boulez. Diffrences (195859, rev. 1967) contrasts live and prerecorded instruments. His Sequenza series (195875) includes solo pieces for flute, harp, female voice, piano, and violin that incorporate aleatoric elements. Other compositions include Laborintus II (1965) and Sinfonia (1968), which incorporate a wide range of literary and musical references. Sinfonia also gathers a large performance force using an orchestra, organ, harpsichord, piano, chorus, and reciters. Berio's Coro (1976) is written for 40 voices and 40 instruments.