Humour marked by the use of morbid, ironic, or grotesquely comic episodes that ridicule human folly.
The term came into common use in the 1960s to describe the work of novelists such as Catch-22 (1961) is an outstanding example; Kurt Vonnegut , particularly in Slaughterhouse Five (1969); and Thomas Pynchon , in V (1963) and Gravity's Rainbow (1973). A film exemplar is Stanley Kubrick 's Dr. Strangelove (1963). The term black comedy has been applied to some playwrights in the Theatre of the Absurd , especially {{link=Ionesco, Eug%C3%A8ne">Eugène Ionesco .