Railroad terminal in New York City.
It was designed and built (1903–13) by Reed & Stem in collaboration with the firm of Warren & Wetmore; the latter firm is credited with the aesthetics of the huge structure. The concourse, with its 125-ft (43-m) ceiling vault painted with constellations, was one of the largest enclosed spaces of its time. A gem of the Beaux-Arts style , the terminal looks as though it could have been transported from 1870s France. Atop the symmetrical main facade is a large clock and sculptures of an American eagle and Roman deities. In the late 20th century the station was lavishly restored; this restoration effort brought national attention to the importance of preserving architectural landmarks.