NAIVE ART

also spelled Naf Art, work of artists in sophisticated societies who lack or reject conventional expertise in the representation or depiction of real objects. Nave artists are not to be confused with hobbyists, or Sunday painters, who paint for fun. The nave creates with the same passion as the trained artist but without the latter's formal knowledge of methods. Nave works are often extremely detailed, and there is a tendency toward the use of brilliant, saturated colours rather than more subtle mixtures and tones. There is also a characteristic absence of perspective, which creates the illusion that figures are anchored in the space, with the result that figures in nave paintings are often floating. The Snake-Charmer, oil painting by Henri Rousseau, 1907; in the Muse d'Orsay, Paris. The most frequently reproduced examples of nave art are the works of the French artist Henri Rousseau, whose portraits, jungle scenes, and exotic vegetation are widely admired. Rousseau's paintings, like many others of this genre, convey a sense of frozen motion and deep, still space, and the figures are always shown either full face or in fairly strict profile (the nave painter rarely conceals much of a face and almost never portrays a figure completely from the back). Like many nave painters and sculptors, Rousseau projects his intensity and passion through his figuresespecially the staring eyesand the precision of his line and colour. The appreciation of nave art has been a fairly recent phenomenon: many of the artists still living never expected their work to be so eagerly collected. By the mid-20th century most developed nations had nave artists who had risen to some prominence. While some nave painters consider themselves professional artists and seek public recognition of their work, others refuse to exhibit for profit and paint only for their families or for religious institutions.