PAPER FOLDING

Japanese Origami, art of folding objects out of paper without cutting, pasting, or decorating. Its early history is not known, though it seems to have developed from the older art of folding cloth. In Japan, origami has reached its greatest development, with hundreds of traditional folds and an extensive literature dealing with the art. Japanese folds divide roughly into two categories: figures used in ceremonial etiquette (such as noshi, folded decorations attached to gifts); and birds, animals, fish, insects, flowers, human figures, furniture, and other objects. Some of the animals have amusing action features; best known are the bird that flaps its wings when its tail is pulled and the frog that hops when its back is tapped. Yoshizawa Akira of Tokyo is considered the greatest of modern paper folders. He wrote several books on origami and created a large number of new, often fantastically complex, figures possessing great realism and delicate beauty. Paper folding also has flourished in Spain and South America. Miguel de Unamuno, Spanish writer and philosopher, made a hobby of paper folding. He invented many new animal constructions and wrote Amor y pedagoga (1902), a humorous essay on the art. In South America, Vicente Solrzano Sagredo of Argentina was the leading expert on paper folding and the author of the most comprehensive manuals on the art in Spanish. George Rhoads of Evanston, Ill., and Giuseppe Baggi of New York also achieved distinction in this art. Apart from the Oriental tradition, the folding of coloured papers into ornamental designs was introduced by Friedrich Froebel into the kindergarten movement that he initiated in Germany in the 19th century. Later, the Bauhaus, a famous German school of design, stressed the folding of paper as a method of training students for commercial design. The use of folded paper in mathematical recreations is similarly independent of origami. Particularly intriguing are A.H. Stone's flexagons (1939), a variety of paper structures that alter their faces in curious ways when properly flexed.